F.A.R.M. Fest | Hammonton, NJ | July 21st, 2017 – July 23rd, 2017
Jul
2017
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F.A.R.M. FEST



  • Date:Friday, July 21, 2017 - Sunday, July 23, 2017
  • Venue:F.A.R.M Fest
  • Address:500 Paradise Dr, Hammonton, NJ 08533
  • Artists:Mija, Liquid Stranger, Figure, Big Farm Super Jam, AraabMuzik, Shigeto, Fat Nick, Immortal Technique, El Ten Eleven, Boogie T, Dimond Saints, Clozee, Psymbionic, Jade Cicada, Shlump, Consider the Source, Yheti, Widdler, Lusine, Esseks, Electric Love Machine, Dreamer's Delight, CharlestheFirst, Scohan, Kaminanda, Bommer, Wax Future, Party Wave, Brightside, Crokked Drivers, The Drunken Hearts, Levitation Jones, Tweed, Tsinba, Deez, Cosmal, Erodyne, Digital Ethos, Manifesto, Moniker, Ludge, Solely, 5am, Craz, Evac Protocol, Still Hand String Band, Face Plant
  • Promoters:F.A.R.M. Fest
  • Time:07:00 am – 11:59 PM

MIJA

Based out of Downtown Los Angeles, Mija has established herself as an innovative and fresh new DJ/Producer of this era. Her roots may be based in house music, but nobody puts Mija in a corner. Her genre_defying mixtapes and bassline productions keep the masses dancing around the globe.

Mija began her career in her hometown Phoenix, where she became a full_time DJ in early 2012. In 2014 she was invited to perform on Kalliope, a Burning Man art car, at Bonnaroo Music Festival. It was on that car where she serendipitously ran into Skrillex and played a b2b sunrise set. Just a couple months later, Mija won a mix competition to play on the Black Butter Records stage at TomorrowWorld, where her set was recorded, and truly helped build a steady platform for her career.

Mija is quickly building a massive fan base from countries around the world. With her latest production “Crank It” feat. Lil Jon being released on record label OWSLA, she is making headlines on some of the biggest EDM websites out right now. This is just the beginning for yung Mija. She has national and international bookings under her wing in 2015, with the talent and drive to back it.

LIQUID STRANGER

Traveling the uncharted terrains of sound, Liquid Stranger’s creative output spans a wide range of electronic music in all of its colours and shades. Always pushing the sonic boundaries and merging genres, he consistently creates an ever-evolving blend of unique atmospheres and cutting edge grooves.

The Liquid Stranger has been working professionally with music since 1996 and has released over 50 titles under various pseudonyms in that time. He used to DJ for Breaks FM in London and has worked with numerous record labels including; Dragonfly, Botchit & Scarper, Six Degrees, Hope Recordings, Ministry of Sound, Spirit Zone, Muti Music, Rottun Recordings and Interchill.

With 4 highly acclaimed full-length albums under his Liquid Stranger moniker, this multi-talented producer has established himself as the epitome of trans-national dubstep, covering everything from Latin, Asian, Eastern European and Jamaican Dancehall dubs. His first two albums, ‘The Invisible Conquest’ and ‘The Intergalactic Slapstick’ (Interchill 2007 & 2009), generated a substantial buzz with DJs and listeners alike while his next two albums, ‘The Private Riot’ and ‘Mechanoid Meltdown’ (Rottun Recordings 2010) made a firm imprint in the dubstep community worldwide, topping the download charts for over a month. With several additional remixes bearing his signature touch, the Liquid Stranger sound is in high demand as it continues to reach increasingly wider audiences.

Performing live, the Stranger has a passion for the unexpected and hits the stage with a stash bag full of devastating dance-floor monsters. Using custom built analogue gear to remix his tunes in real-time, he delivers an energetic and infectious performance unique to every show. Major gigs to date include such world renowned festivals like; Electric Daisy Carnival, Voov Experience, Boom Festival, Roskilde,Samothraki, Vortex and Club Boom to name a few. At the moment, he is one of the most sought-after US-based dubstep producers and is in constant demand from coast to coast.

FIGURE

Josh Gard has had a long history in music. Just a few short years ago he donned the name Figure and began making electro house, but has since become a regular name in all realms of electronic and dance. Scoring positions among the charts may have gotten him recognition, but a hefty amount of praise has been raining down on him lately as some of the leading artists in electronic music have valued his live performance skills as some of the best in the business.

In 2011, his Monsters of Drumstep series married his love of horror with his immense production skills to become the soundtrack for the Halloween season. Figure created his own imprint, DOOM Music to house the Monsters series which has now become an annual release. In 2013 FIGURE’s monsters series became the official soundtrack to Universal Studio’s Hollywood Horror Nights theme park.

Figure recently signed with OWSLA to release ‘Horns of the Apocalypse’. Horns of the Apocalypse showcases FIGURE’S evolving sound and take on 4/4 dance music with his lead single Eagle. War Call & Beast Mode will remind fans of FIGURE’S signature sound. The EP features DEL The Funky Homosapien (Deltron 3030, Gorillaz, Hieroglyphics) Mr Lif (Definitive Jux) & Nick Thayer (Owsla).

‘The direction and influence for the production came from being on tour all of last year and a good chunk of of 2013 so far. The entire EP was written on the road but mastered at my home studio in Indiana using my Neve Racks and Abelton. I’m really looking forward to seeing my fans on tour this fall and hope they all love this release as much as I do.’ – FIGURE

October 2013 saw the return of FIGURE’s highly acclaimed Monster’s series, with the release of Monsters Volume 4. Monster’s vol. 4 quickly shot up the iTunes/Beatport worldwide charts with key tracks like Are You Afraid Of The Dark ft. Lexi Norton, Living Dead & The Center of Hell ft/ Helicopter Showdown. All in all the album takes listeners on a 13 song trip through the dark world of FIGURE’s monsters, and showcases another side of Josh Gard’s sound design that ties the LP together with dark interludes like Symphony of the Damned & Death’s Gospel.

When he’s not recording in his hometown studios in rural Indiana, Gard is touring worldwide, with packed tents at festivals like EDC, SnowGlobe, Starscape, The Bounce, Creamfields Australia, Tomorrow World, Global Dance, and Belgium’s Dour. This Fall he will be on tour again across the US for the ‘All Black Everything Tour’, a co-headline tour with his good friend Crizzly which will span 30+ dates and go from coast to coast.

ARAABMUZIK

If you were to Google the name AraabMuzik, you would discover many videos showing this music producer hammering on an MPC as if he was Travis Barker on the drums. With his fast rhythmic touches on the machine – while donning a New Era fitted, some might call it poetry in motion, others might say it’s suicide on an MPC, but for the this producer it’s just another day on the job.

Born Abraham Orellana in Providence, RI, the middle child of two other siblings, he grew up with affection for music starting at a very young age. “I’ve been drumming since the age of 3. When I was around 10, I started getting into keyboard and producing my own music.” Half Dominican and Guatemalan, he confesses that his Hispanic heritage has influenced his music to a degree. With his mom being a one-time professional singer, he’s been around melodies and beats his entire life, however; growing up in Providence… it’s natural to assume Hip-Hop not having much of an influence in the city, considering that’s it sprawled so far away in New England. “There’s definitely a lot of Hip-Hop here. You’ll find a lot of local rap groups, solo artists out here that are trying make it, it’s just the fact that we’re not on the map like that just yet.” Having found much success working with Dipset members Cam’Ron, Duke Da God, Hell Rell and others, he’s also shopped beats to Young Jeezy, Ludacris, Cassidy, Gucci Man, Young Dro and Fabolous. With his rapid beat making techniques, it’s easy to understand why it’s getting him on shows from state to state because it’s amazing to see. “I’ve been getting booked by clubs lately to do shows performing on my MPC live. It’s something different and unique, and it puts me in a position to be a trendsetter, but on the other hand – it’s allowing other producers in the crowd to hear my sound and see what I’m doing, but I don’t think you can really duplicate what I’m doing.” Putting a name on how to define his music and style is a daunting task, but under the fabric of his beats still lies a blueprint from the influences of Dr Dre, Swizz Beats, Alchemist, Just Blaze, Scram Jones, Pete Rock, 9th Wonder, Hi-Tek, DJ Khalil and Heatmakers. These famous producers vicariously helped in perfecting his craft to the point now that it’s a full time job. “When I first started making beats, I went from the keyboard to a software program and to an MPC. My motivation at that time was just for the fact that I wanted to hear and make my own music. All my old beats on the keyboard where like a good 3-4 minutes long and as I got better, so did the beats.” Making new beats also seem to come naturally. “I’m not the type that needs to smoke a blunt or have a drink to be creative. I just sit down and think of what I’m going to do or how I’m going to do it. It doesn’t take long, no more than ten minutes for me to complete a beat. It’s always like 10-15 minutes the most and then I’m done.”

As his talents continue to move him forward, don’t ever think he plans leaving his hometown. “Growing up in Providence, I was blessed because I didn’t have to go through a lot of the things that other people that I know in places like Boston and New York had to go through. I was raised by both my mom and my pops and they’re still together this day. Besides, it doesn’t matter where I’m from, just so long as the people keep liking my beats – that’s all that matters.”

SHIGETO

Artists take on pseudonyms for a multitude of reasons, but in Zach Saginaw’s case, those reasons run deeper than most. Zach records under the name Shigeto. It’s his middle name; it’s also his grandfather’s name, a tribute to the Japanese branch of Zach’s family tree. Shigeto also means “to grow bigger”—appropriate, given Zach’s premature birth-weight of less than a pound. Today, Shigeto stands for Zach’s vividly beautiful electronic music. Beat-driven but given to richly textured sound design, rhythmically fractured but melodically sumptuous, Shigeto’s music is a bridge between the past and present, bringing the artist face to face with a creative legacy that spans decades.

Zach was brought up on a steady diet of Michigan-bred music, as his father spoon-fed him old Motown and jazz records by the crateload. Zach picked up the drums at an early age, spending much of his childhood playing in the Detroit/Ann Arbor music scene. After nearly flunking out of high school—save for his music studies—Zach spent three years studying jazz at the New School in NYC and three more in London, where he began woodshedding, obsessed with learning electronic production. Soon enough, beats materialized, Zach moved to Brooklyn and took up the name Shigeto, and Zach’s peers began to take notice.

Zach’s body of work has grown over the last few years to the tune of several EPs on Moodgadget as Shigeto and with A Setting Sun, a pair of EPs under the alias Frank Omura (another family-name reference), and remixes for Worst Friends, Praveen & Benoit, Tycho, Mux Mool, Charles Trees, A Setting Sun, Beautiful Bells, Shlohmo, and more. The Semi-Circle EP and What We Held Onto EP were his first releases with Ghostly International in the spring of 2010. These were followed quickly by the well-received full-length Full Circle and Full Circle Remixes in late 2010 and early 2011 respectively. These releases are nominally indebted to instrumental hip-hop but, like Zach, straddling many worlds at once. Cool shades of ambient music, stuttering early IDM, dubstep sub-bass, and jazz melodicism color Shigeto’s palette, which he wields with a painterly attention to detail.

Zach continues to be prolific with the upcoming 2012 release, Lineage—a mini-LP of sorts that has a complex constellation of sounds and ideas that we have come to expect from the producer/drummer. However, his compositional focus and restraint grounds songs that are otherwise cosmically inclined. Never has he demonstrated such complete command of his material.

Shigeto was one of the first of a wave of young artists who grew up influenced by the label’s early output. And again, names come into play. “Putting out these records on Ghostly isn’t just ‘getting signed,’ for me,” says Zach, “it’s becoming part of a family, an influence that I’ve respected forever.” Let’s just say the feeling’s mutual.