Disc Jam Music Festival | Stephantown, NY | June 8th, 2017 – June 11th, 2017
Jun
2017
08

DISC JAM MUSIC FESTIVAL



  • Date:Thursday, June 08, 2017 - Sunday, June 11, 2017
  • Venue:Disc Jam Music Festival
  • Address:15895 State Route 22, Stephantown, NY 12168
  • Artists:Break Science, Dopapod, Turkuaz, The Motet, Manic Focus, TAUK, Kung Fu, Pink Talking Fish, Giant Panda Guerilla Dub Squad, Gubbulidis, Aqueous, Electric Beethoven, Consider the Source, Ghost-Note, Spiritual Rez, Agent Lockhart, Roots of Creation, Holly Bowling, Hayley Jane, Sophistafunk, G-Nome Project, The Mallett Brothers Band, Honeycomb, Yheti, lespecial, Ben Silver (Orchard Lounge), Esseks, Brightside, Of The Trees, DELTAnine, Strange Machines, Wobblesauce, Congo Sanchez, Wild Adriatic, After Funk, Funky Dawgz Brass Band, Funk You, Swift Technique, LITZ, Calliope Musicals, Earphorik, Toadface, Saltus, Uncle Bob, Klassik, Leila, DETØX, Wubson, Phil Dice, tsimba, ZeroGravity, Zoo Logic, Bunk Buddha, Bells and Robes, WØKE, Kerry Quirk, Scatz, Icculus, Echo Mecca, Formula 5, Teddy Midnight, Mister F, Bearly Dead, The Mushroom Cloud, Annie In The Water, Eggy, Lord Electro, Digital Frontier, In Flux, Goose, Stephen Lewis and The BIG Band of FUN, The Brighton Beat, Merther, Qwill, Oogee Wawa, Kroma Kode, The Other Brothers, Humble Digs, Monotronic, Resin Headz, Big Jon Short, Zack Slik, Political Animals, The Schooley Mountain Band, Cal Kehoe
  • Promoters:Disc Jam Music Festival
  • Time:11:00 AM

BREAK SCIENCE

The Brooklyn based electronic duo, Break Science kick off 2012 with the release of their second EP entitled Monolith Code (Pretty Lights Music). As seasoned producers and touring veterans, Adam Deitch and Borahm Lee have produced and performed with everyone from The Fugees, Wu Tang Clan, and Talib Kweli, to reggae Lee Scratch Perry and Miles Davis collaborator, John Scofield. On Monolith Code, Break Science evokes a wide spectrum of electronic genres filtered through a musician’s lens, all while moving people spiritually AND on the dance floor.

‘Monolith Code is the innate message we have to decipher to get to the next step in our evolution’ says Lee. ‘The monolith represents a transition into a higher level of consciousness. A spark that initiates us to consider wider possibilities and ideas. The code is the system to express this transformation. Containing information from the past, present and future, it holds the key to unlock our potential as spiritual beings.’

Adam Deitch describes the musical process behind the record. ‘We understand that to bring our vision to life, we have to spend just as much time on the programmed elements as we do on the live elements. Our goal is to blend these elements seamlessly, so everything comes together in an organic way. Our music is layered with different frequencies and sonic textures so it becomes something you can listen to multiple times and STILL hear new elements you might have missed the first time. We are influenced by everything from hip-hop and glitch, to jazz, soul, vinyl drum breaks and dub. We like certain elements of dubstep and drumstep (especially that BASS) and try to incorporate that sound in a fresh, new way.’

Break Science is poised to make their biggest mark yet onto the burgeoning livetronica scene. Joining forces with a movement of new electronic artists on the Pretty Lights Music label, this potent duo will continue to push the boundaries of modern music.

DOPAPOD

Dopapod is not so much a jam band as they are a band that improvises. They are an electronic band without computers. They are a metal band with groove and soul. They are a funk band that’s not afraid to get intricate. With no regard towards toward stylistic boundaries, the sound that emerges from the quartet both live and in the studio is as varied and diverse as the many influences that they adapt from. Their approach to complementing a distinct genre bending sound to top-notch musicianship is what has kept the quartet committed to evolving their unique brand. This progressive song writing leaves room for boundless improvisational exploration and has been the root of why more and more music lovers are steadily growing in numbers eagerly returning for more.

TURKUAZ

Turkuaz is a 9-piece “Powerfunk” outfit from Brooklyn, NY, whose modern take on the classic funk sound has established them as leaders in the funk revolution that’s currently taking place in the genre. Blending elements of Pop, R&B, and Soul with their distinct aggressive funk core, Turkuaz sounds like the musical love child of Sly & the Family Stone and Talking Heads.

MANIC FOCUS

Manic Focus is the musical conception of John “JmaC” McCarten that breaks the bounds of the typical electronic music realm. Being classically-trained on piano at an early age, his musical talents have brought him through the realms of hip-hop beats and electronic music, having now evolved into the dynamic, bass-induced sounds of Manic Focus. A Minnesota native and recent transplant to Chicago, this producer is blowing up the EDM scene.

Manic Focus isn’t your typical electronic dance music. His first album, Definition of the Rhythm, provides a broad array of tracks, from energized electro hip-hop to tranquil, melodious grooves. His deep bass lines and popping beats drive the tracks along, while spellbinding melodies and carefully-chosen vocal samples entrance the listener. The essence of Manic Focus lies within his flawless production, weaving together rhythms and effects to create a sheer masterpiece every time.

His second album, Expanding Mind, showcases how Manic Focus is broadening his spectrum, going from dark, majestic sounds toward a funky, bass-laden dance vibe. Now dipping into the realms of house, drum & bass, and glitch-hop, Manic Focus is exploring new genres and continuing to produce pure musical magic along the way.

With continuous new releases and dates stacking up across the country, Manic Focus is on pace to take the music industry by storm. The talents of this producer create a spell-binding effect that only further showcases the evolution of his undeniable musical ability.

TAUK

TAUK is heavy instrumental rock fusion created by Matt Jalbert (guitar), Charlie Dolan (bass), Alric “A.C.” Carter (keyboard-organ), and Isaac Teel (drums). The transcendent instrumental band seamlessly brings together genres as diverse as melodic rock, fusion, gritty funk, progressive rock, ambient, classic rock, hip hop and jazz.

The Oyster Bay, New York-based quartet has received accolades from a number of tastemaking authorities, including an “On The Verge” feature in Relix Magazine and frequent rotation for the singles “Mindshift”, “Sweet Revenge”, “Dead Signal” and “In the Basement of the Alamo” on Sirius XM Jam On. Despite their years of experience as a musical unit, the quartet is a young promising band that Jambase calls “a guaranteed quickly-ascend band.” The Washington Post describes the band by saying: “TAUK’s instrumental music melds genres and styles, creating a hard-charging, often melodic fusion that – thanks to a penchant for improv – offers limitless possibilities” and The Deli Magazine singles out the band’s compelling melodic sense through explaining: “the quartet has a rare ability to channel emotional melodic leads, and all without a lead singer.”

The band’s latest album, Collisions, is a breakthrough in that it finally captures the essence of TAUK’s entrancing live shows. It’s a thoughtfully composed album with captivating hum-along melodies, but this time the band was able to road test the songs, allowing the recorded versions to reflect the group’s adventurous improvisations. The 10-song album spans delicate ethereal textures, highly imaginatively funky drumming, labyrinthine arrangements, and fiery solos—often in the same song. “We called it ‘Collisions’ because it calls to mind how, when things come together, it is often explosive and leads to something completely different,” bassist Charlie Dolan explains. Alric “A.C.” Carter, keyboard-organ, adds: “It also evokes how we are very different as people, but within the band, we find a way to work together and compliment each other’s musical ideas as an egoless unit.”

On Collisions the band worked with longtime collaborator Grammy-winning producer Robert Carranza (Mars Volta, Jack Johnson). Carranza helped the band find the optimum mix of song structure, breathing jam sections, and warm & clear fidelity. Also enhancing the experience of Collisions is the album’s stunning puzzle-like cover art done by Jeff Jordan, graphic artist who previously worked with Mars Volta, among others. The album’s deconstructed and post-modern abstractness perfectly reflect the sonic character of the music. Alric “AC” Carter explains: “In the artwork it’s clear to see there are many parts that build the entire picture. It’s like a song where some parts play supporting roles and other sections instantly grab your attention. However, the most important aspect is the bigger picture.”
TAUK has built a dedicated and loyal fanbase through tireless touring. Festival highlights include Bonnaroo, The Hangout Music Festival, Summer Camp, LOCKN’, Hudson Project, FloydFest, Bear Creek, Art Outside and The Allman Brothers’ Peach Fest. TAUK’s broadly appealing musicality has allowed the band to be direct support to such diverse artists as The Funky Meters, Robert Randolph & the Family Band, Papadosio, Lettuce, Karl Denson’s Tiny Universe, moe., Dopapod, Tim Reynolds & TR3, Toubab Krewe, The Revivalists and many more.

It’s been an astounding journey for the musicians, in terms of four very different personalities conceptually colliding until they merge through inventing a collective musical lexicon.