Deep Space w/ Theo Parrish at Output | Brooklyn, NY | April 18th, 2018


  • Date:Wednesday, April 18, 2018
  • Venue:Output
  • Address:74 Wythe Ave, Brooklyn, NY 11249
  • Age:21+
  • Artists:Theo Parrish, Francois K
  • Promoters:Deep Space
  • Time:10:00 PM – 04:00 AM

Deep Space, is an adventure into future dub, spacey vibes, and abstract grooves featuring resident DJ François K. live on the mixing board with special guests.

Since the party’s launch in 2003, Deep Space has featured a who’s who of well known and then emerging artists from around the world representing a stunning array of musical styles that Deep Space is known for integrating into its open minded aesthetic. While the mission of Deep Space remains committed to sharing a love of dub, a vast, under-appreciated musical direction, the party has invited a great range of guest artists to share their creative dub mixing approaches to all things spacey, psychedelic and mind-bending.

From dubstep pioneers such as Mala, Kode9 and Digital Mystikz, to house, techno & disco icons such as Giorgio Moroder, DJ Harvey, Dimitri from Paris, Theo Parrish, Rhythm & Sound, Ron Trent, Carl Craig, Scuba, Joe Claussell, Derrick May, to cutting edge producers and tastemakers such as Gilles Peterson, Jamie xx, Mary Anne Hobbs, Mr. Scruff, DJ Spooky and dub legends such as Adrian Sherwood with Pinch, Mad Professor, Mutabaruka and U-Roy, and Brazilian icons Otto with Carlinhos Brown and plenty of live musical and dance performers, Deep Space continues to be a magnet for attracting many of electronic dance music’s most innovative artists. Almost all of the guest artists who play at Deep Space create truly one-of-kind, crate-digging ‘Deep Space sets.’

Deep Space has been presented abroad at the Big Chill Festival (UK), Plastic People (UK), TDK Cross Central Festival (UK), Space Lab Yellow (Japan), Café Jamaica (Japan), Precious Hall (Japan), Phase (Japan), throughout France, in Berlin, Denmark, SONAR Festival in Barcelona and across the U.S. In 2010 Deep Space received a dedicated night at Burning Man’s Disorient camp. In 2004 Deep Space was nominated for “Best Club Night” by the internationally televised “DanceStar USA” awards. In 2005 & 2006 François K. won “Best Resident DJ Award” at the Club World Awards held in Miami. Deep Space was named “Best Party 2004” in Time Out New York. Deep Space was nominated for “Best Party,” at the Club World Awards 2006 and 2007. New York Magazine featured Deep Space in the “Best of New York 2006” issue. In 2013 Do Androids Dance lauded Deep Space as one of “The 10 Best Club Nights in the US.” Francois K. was named ‘Best Resident DJ’ by the 2015 Nightclub Awards. Also in 2015 Time Out New York listed Deep Space as ‘one of the top 20 parties in NYC right now.’ In 2005 Deep Space NYC Vol. 1, a compilation mixed by François K., was released on Wave Music’s imprint Deep Space Media to critical acclaim.


Theo Parrish was born in Washington D.C. in 1972 and raised in Chicago, IL where his passion for music developed. MIles Davis, Stevie Wonder, Jimi Hendrix, Nina Simone, George Gershwin, Bob Marley, as well as his uncle, jazz musician Dexter Sims, all had strong influences on Theo’s early musical life.

Theo Parrish was born in Washington D.C. in 1972 and raised in Chicago, IL where his passion for music developed. MIles Davis, Stevie Wonder, Jimi Hendrix, Nina Simone, George Gershwin, Bob Marley, as well as his uncle, jazz musician Dexter Sims, all had strong influences on Theo’s early musical life. Chicago’s radio influences and House artists such as Ron Hardy , Larry Heard, Lil Louis, Farley Jackmaster Funk, Gene Hunt , Mike Dunn, Frankie Knuckles , Walter Get Down Brown and Andre Hatchett, helped to spawn Mr. Parrish’s early career.

He began spinning and producing tracks in 1986, at the age of thirteen… After graduating from the Academy for the Arts, he recieved a scholarship to the Kansas City Art Institute where his interest in music was taken to a new level through his study of sculpture. In 1994, he recieved a Bachelor of Fine Arts degree from KCAI with a concentration in Sound Sculpture, a form of orchestrationusing live instruments, looped recordings, the human voice, and numerous other sound generating devices. While in Kansas CIty, Theo continued to impact and be impacted by dance music, helping to bring a dormant underground music scene to life. In 1994, Theo Parrish moved to Michigan where he became heavily involved in Detroit’s underground music scene. Producing music and delivering his unique and dynamic sets in venues throughout the Detroit and surrounding areas, as well as abroad he has gained the attention and respect of dj’s, producers, listeners and dnancers worldwide.


Only Frankie Knuckles can lay claim to straddling a longer span of time in the thick of dance music than François Kevorkian. And though his name is no more than vaguely familiar to many dance fans, Kevorkian’s influence is immense. Beginning with his production work for the crucial disco label Prelude during the late ’70s and extending through an immense quantity of remixes and productions for legions of pop bands during the following decade, few producers did more to mechanize and refine the disco template into music clearly recognizable as house. After moving from his native France to New York City in the mid-’70s, Kevorkian learned the art of mixing from the era’s most influential DJs (Walter Gibbons, Jellybean, Larry Levan). He began producing early reel-to-reel cut-ups, patterned on dub techniques, which pushed bouts of much-needed experimentalism into disco. He then brought the dance treatment to scores of alternative bands and pop stars who needed it during the ’80s and ’90s. Unfortunately, Kevorkian never spent as much time on his own productions, releasing very few singles though he helmed his own imprint, Wave Records.

Born in Rodez, France in the mid-’50s, Kevorkian grew up in the suburbs of Paris, playing drums in several bands while studying biochemical engineering and pharmacy in college. After deciding to chuck in his studies, he moved to New York and began playing with any pick-up bands he could find. His first important work in the club scene came when Kevorkian took a part-time gig at the club Galaxy 21, providing live fill-in drums for the DJ, Walter Gibbons. Though the club later closed, Kevorkian moved on to another named Experiment Four and became friends with its resident, Jellybean Benitez.

Kevorkian soon began producing his own tracks after he learned that Benitez owned a four-track reel-to-reel machine. Hoping to warp tracks for maximum dancefloor consumption, Kevorkian recorded dub-inspired cut-and-paste megamixes with splice and edit techniques, even adding special effects gained from movies and other sources. (One of his first productions, a version of ‘Happy Song and Dance’ by Rare Earth, was a New York club staple for years afterward.) In mid-1977, he started DJing at a club known as New York, New York — the premiere disco spot after Studio 54. While working there, Kevorkian met DJ legend Larry Levan and the two became fast friends. After Kevorkian was tapped for an A&R position at the disco label Prelude, he began working at the label’s studios with Levan, creating mixes for the West End and Salsoul imprints as well as Prelude. Kevorkian’s mix for Musique’s 1978 single ‘Push Push (In the Bush)’ went gold — despite an obvious lack of chart action — and his productions for another Prelude act, D-Train, resulted in additional club hits like ‘You’re the One for Me,’ ‘Music,’ and ‘Keep On.’

A talent for studio mixing and his requisite dancefloor credentials made François Kevorkian one of the most in-demand producers during the ’80s. An increased momentum during the decade for general dance music pushed labels to request special nightclub versions of pop songs for the dance crowd, and Kevorkian obliged hundreds of times, for such groups as Yaz, the Smiths, Depeche Mode, Diana Ross, Adam Ant, U2, Kraftwerk, Matthew Sweet, the Pet Shop Boys, Thomas Dolby, Ashford & Simpson, and Erasure, among many others. In 1987, he founded Axis Studios as well, which provided a home for recordings by Madonna, C+C Music Factory, Mariah Carey, and Deee-Lite.

Essential Mix Given his busy studio schedule, it’s no wonder Kevorkian neglected his DJing during most of the ’80s. He returned to form in 1990, and traveled to Japan with Larry Levan for several high-profile gigs. Kevorkian became a label owner himself in the ’90s; his Wave imprint provided a home for several of his own productions, including 1997’s pioneering FK-EP. The best document of his DJing skills, Essential Mix, appeared in 2000.

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