Boat Cruise Summer Series: Dirtybird Boat at Provincetown II | Boston, MA | June 10th, 2017
Jun
2017
10

BOAT CRUISE SUMMER SERIES w/ DIRTYBIRD



  • Date:Saturday, June 10, 2017
  • Venue:Provincetown II
  • Address:200 Seaport Blvd, Boston, MA 02110
  • Age:21+
  • Artists:Claude VonStroke, Justin Martin, Walker & Royce
  • Promoters:Boat Cruise Summer Series, NV Concepts
  • Time:7:00 PM – 10:00 PM

CLAUDE VONSTROKE

Claude VonStroke does not scowl and look mean while he DJs. He does not pretend to know everything and he will be nice to you and your friends. He is grateful to be doing music for a living and he knows that the reason people go to parties is to have fun. If you want to act cool and not have any fun then please do not book him.

The name “Claude VonStroke” was a random joke that caught on after a series of tracks grabbed the attention of underground dance music in 2005. His very first record, “Deep Throat,” was an unusually quirky affair that caught fire worldwide and he has been blessed with similar success stories ever since. Claude’s real name is Barclay Crenshaw, a guy raised in the suburbs Detroit who wanted to be a filmmaker but always had a knack for music. After several different film careers of varying success and with some help from his friends, VonStroke started the “dirtybird” label at the very late age of 32.

Since 2005, dirtybird has carved out a niche as a premiere American label and has released over 40 EPs. VonStroke has released two artist albums as well as a Fabric mix and over 25 remixes for a wide range of commercial and underground artists from Indy rock group “The Rapture” to Detroit techno legend Kevin Saunderson.

In an effort to give something back to the community VonStroke unveiled a new label “mothership” in 2007. A large percentage of the label’s proceeds go to a music school for children in Claude’s hometown of Detroit, Michigan. This label features more euro-flavored techno and house featuring groups like Catz ‘n Dogz, Maetrik and Voodeux.

Tour wise, Claude has headlined almost every major club, festival and basement after-party in the world. The outdoor dirtybird parties in San Francisco’s scenic Golden Gate Park have also become a legendary summer destination point for both locals and international travelers.

But like we said at the start, Claude VonStroke is only coming to see you if you want to enjoy yourself and get sweaty and nasty. If you want to wear a sweater and frown in the VIP section, he is not the right DJ for you.

JUSTIN MARTIN

As the late Oscar Wilde once said: “life is too important to be taken seriously”, an ethos that Justin Martin is sticking with despite achieving soaring success over the last six years as a producer and international DJ.

Justin initially pricked the ears of the electronic music community in 2003 with his first record ‘The Sad Piano’ on Ben Watt’s Buzzin’ Fly label. Everyone in the electronic music food chain got involved, from the A list DJs like Derrick Carter and Pete Tong that were playing the track, to the international music press that were raving about it. It even translated to the German underground, with Poker Flat licensing it for Steve Bug’s ‘Bugnology’ compilation. Like someone that goes bowling for the first time and gets five strikes and a turkey, Justin couldn’t really have hoped for a better entrance.

Feeding off the energy of the San Francisco underground and mentored by fellow super producer Claude VonStroke, Justin was intrinsically involved with the development of dirtybird records, appearing on its first four releases. Justin was soon ready to take flight, releasing a string of solo EPs which flaunted a very unique sound and garnered still more respect among fellow DJS and heavyweight’s of the scene.

In 2010, such respect prompted an invitation for Justin to DJ mix Pete Tong’s infamous “Essential Mix” series and also landed his felicitous placement on the front cover of DJ Magazine. Justin continued to roll out two further killer EPs on dirtybird, which were collaborations with his protégée Ardalan. “Mr Spock” earned recognition from major digital news outlet NPR as “surrounding sounds with tactful little details: the hissing white noise; that chubby, wet bass kick. This is music that doesn’t need to be heard on the dance floor, though it does work awfully well there”. What followed was “Lezgo”, which knocked down the genre walls and pretty much remained a firm fixture in every DJ’s box throughout 2011.

As well as his formidable arsenal of original productions, Justin is now equally known for his collaborations with his brother Christian as The Martin Brothers, producing such hip-hop influenced hits as ‘Duckface’, ‘Stoopit’, ‘Dum’. Justin has also made his mark remixing such bona fide classics as Radiohead’s ‘Nude’, Marshall Jefferson’s ‘Mushrooms’, TG’s ‘Revox’ and remixes for labels such as Fools Gold and Greco Roman, firmly establishing himself as the man to make big tracks even bigger.

2011 found Justin in the perfect position to work on his boldest project to date, his debut artist album and he couldn’t be more enthusiastically happy with the results. “Ghettos & Gardens” long player will be released on dirtybird late spring 2012, with a string of stunning singles to support the release.

Demand for Justin’s skills behind the decks has skyrocketed with his bookings schedule constantly crammed to capacity. With dates everywhere from Panorama Bar (Berlin), Fabric (London), Space (Ibiza) and a full album tour for summer and fall 2o12, its no wonder Justin’s diary is reading like the dreams of a professional raver. Stateside he continues to be a regular fixture at the dirtybird events in San Francisco and beyond.

Music journalists typically describe Justin’s sound as ‘melodic and tough’ with his music encapsulating both melody and emotional depth yet always with enough undeniable ass shaking properties to translate to the floor.

“I’m always trying to find music for my DJ sets that rattles sound systems, but still has enough melody and interesting texture to expand your mind even if you’re sitting at home on a snowy or rainy day.”

He remains as enthusiastic as ever to be involved in the scene. When recently questioned by Resident Advisor on what he’d be doing if he wasn’t a DJ or dance music producer he just replied: “Wishing I was a DJ or music producer.”

By all accounts it’s hard to tell him to wipe that smile off his face.

WALKER & ROYCE

“New York City’s Sam Walker & Gavin Royce have been producing their emotive, subdued and groove-heavy deep house for just two years— but almost from the start, they were touted as future stars. Now it’s official, thanks to a certain UK tastemaker— not to mention a string of stellar productions and remixes.” -Bruce Tantum: Nightlife Editor, Time Out NY

“Walker & Royce” started when Sam and Gavin, having known each other in and out of the dance scene for years, finally began working together in 2011. As things usually go, it was a bit of luck that got them off the ground: Crosstown Rebels boss Damian Lazarus noticed one of their very first releases, a remix of SAARID’s “Future Lately”, on Nervous Records. The result was the Crosstown Rebels EP “You’re Not Welcome” and with that, Walker & Royce was launched into the dance music spotlight.

Around the same time, Walker & Royce released a track on OFF Recordings that went on to become a house anthem: “Connected”. The song became a mainstay in Solomun’s performances and with that set the stage for a diverse range of sounds from the pair. Their most recent EP on Moda Black entitled “Sister” was picked by Pete Tong as his Essential New Tune, and their chart toping remix of Baunz’ “Out the Window” on Pets Recordings garnered support from many of the biggest artists in electronic music. Having solidified their unique sound, you will hear Walker & Royce’s music in many of the top DJ’s from around the world! From Sasha to Adam Beyer, Maceo Plex to Gorgon City and Eats Everything to Locodice, they continue to break down the genre barriers and turn heads….